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《天地氤氳》沈勤作品展

时间:2017/12/16 11:15:56  来源:新浪收藏



  沈勤,1958年生於中國南京。1978年考入江蘇省國畫院中國畫研究班,2003年赴加拿大大不列顛哥倫比亞大學講學。現為江蘇省國畫院國家壹級美術師。

  Shen Qin, Born in Nanjing in 1958.Educated at Jiangsu Traditional Chinese Painting Institute from 1978 to 1982.Gave lecture at University of British Columbia, Canada in 2003.Currently working and living in Nanjing (National A-level Artist)。

  沈勤的藝術在很大程度上歸功於與他與西方藝術的交道。可是這個事實不能改變的是,就本質上而言,沈勤的藝術是地道的水墨,我們無法想像這種媒介之外的可能。然而,沈勤的畫與傳統之間的關係很特殊。他的許多作品能勾起我們對傳統山水畫的回憶,可這一事實絕沒有把他帶入文人畫的畛域。沈勤的山水,亭台軒榭與文人畫的構圖、筆觸筆法幾乎毫不相關。就連他多數作品中表達的‘淡遠之氣’也僅僅是乍看上去符合宋代之後的文人畫理想。我從中看出的,卻是他通過接觸超現實主義習得的,將日常現實空間轉化為形而上空間的意圖。

  白色河流的線條穿梭於黛灰的山影之間,霧一般流向中心透視的逸滅點,那是空虛的場所,在原本‘了無一事’的風景中央,也是那玄而又玄的發端之處。然而,這些動態而不安的虛空,與傳統山水畫‘留白’的冥想空間沒有共同點,它們標識著生存中的驚恐,記述著迷茫當下中的不安、恐懼和孤獨。

  節選自‘邊城的形而上’

  文 / Michael Kahn-Ackermann

  Shen Qin’s achievements in art can be largely attributed to his acquaintance with western art。 Yet this doesn’t cause any alterations to the nature of his works。 Shen’s works fall essentially into the category of ink painting and any medium other than ink to be used is beyond our imagination。 They are specially related to the tradition。 While many of his works remind us of traditional landscape paintings, this doesn’t draw his art into the category of literati paintings for mountains and waters and different types of pavilions in his works are barely in the style of literati paintings in terms of their compositions and strokes。 Even ‘the air of inner detachment and peacefulness’ expressed in many of his works accords with the ideals of post-Song Dynasty literati paintings only at the first glance。 Examining more closely, we will perceive his purpose to transform the real space in daily life into metaphysical one, which he has acquired via his contacts with surrealism。

  White rivers wind their way through the black and grey shadows of mountains, flowing like mist to the ends of central perspective, to the center of the landscape that is originally nothing at all, to emptiness and also to the origin of metaphysics。 This kind of dynamic and restless emptiness has nothing in common with the ‘white space’ in traditional landscape painting in that it is recording and telling the anxieties, fears and loneliness in contemporary times。

  From Metaphysics in Biancheng

  Written by Michael Kahn-Ackermann

  天地氤氳——沈勤作品展

  展覽主辦:松心閣

  展覽承辦:伍拾伍號院子藝術空間

  展覽開幕:2017年12月15日下午四時半到七時

  展覽時間:2017年12月15日——2018年1月7日

  展覽場地:松心閣

  展覽地址:香港中環荷李活道151号2楼

  Amidst Ink-Wash Memories - Shen Qin Solo Exhibition

  Exhibition organizer : Lam Gallery

  Exhibition host : NO。 55 Art Space

  Exhibition opening : 4:30pm - 7:00pm, 15 December

  Date : 15th December,2017 to 7th January,2018

  Venue : Lam Gallery

  Address : 2/F, 151 Hollywood Road, Central, Hong Kong

  部分展覽作品

  Part of the exhibition works


山水 Landscape / 55 x 49cm / 紙本水墨 Ink on paper / 2017


山水 Landscape / 142 x41cm / 紙本水墨 Ink on paper / 2017


山水 Landscape / 22 x 138cm / 紙本設色 Ink and color on paper / 2017


山水 Landscape / 31 x 143cm / 紙本設色 Ink and color on paper / 2017


山水 Landscape / 70 x 55.5cm / 紙本設色 Ink and color on paper / 2017

  SELECTED SOLO EXHIBITIONS

  2016 Thirty Years: Shen Qin Solo Exhibition, Art Museum of Nanjing University of Art , Nanjing

  Hermit: Contemporary Ink works by Shen Qin, K.Gallery, Chengdu

  2015 Yin·Yin·Yin·Ying: Shen Qin Solo Exhibition, Suzhou Museum, Suzhou

  2012 Mo·Yin·Tian·Yuan: Shen Qin Contemporary Ink Painting Exhibition, Museum of Contemporary Art , Shijiazhuang

  2009 Clarity: Shen Qin Ink Art Exhibition, Huayi Gallery , Guangzhou

  2007 Shen Qin’s Ink Painting Exhibition, Hamburger Kunsthalle , Hamburg

  2006 Shen Qin’s Ink Painting Exhibition, Xin Beijing Art Gallery, Beijing

  2004 Shen Qin’s Painting Exhibition, Art Beatus Gallery , Canada

  2003 Shen Qin’s Ink Painting Exhibition, W Gallery, Canada

  2002 World’s Boundary: Shen Qin Solo Exhibition, Jincai Gallery , Hangzhou

  1982 Shen Qin’s Solo Exhibition, Art Museum of Nanjing University of Art, Nanjing

  DOUBLE SOLO EXHIBITIONS

  2016 Zero Degree: Shen Qin & Chen Qi, Asia Art Center, Taipei

  2015 Artworks by Shen Qin & Chen Qi, Asia Art Center, Beijing

  2014 The Distant Mountains: Shen Qin & Zhu Jianzhong Ink Art Exhibition, Alioth Art Center, Shanghai

  2011 Shared Breeze& Moon: Yu-ichi’s Calligraphy & Shen Qin’s Ink Painting, Guangdong Museum of Art, Guangdong

  SELECTED GROUP EXHIBITIONS

  2016 The Liberation of Calligraphy: a dialogue with Yu-ichi & an art exhibition dedicated to mark the centenary of Yu-ichi’s birth, Imperial Ancestral Temple Art Museum, Beijing

  Being and Inking: Documenting Contemporary Ink Art, RMCA, Guangzhou

  Too Loud A Solitude: Stalkers of Chinese Contemporary Art, Hive Center for Contemporary Art, Beijing

  Annual Review Exhibition of China Contemporary Ink Painting, Today Art Muesum, Beijing

  2015 Phraseology of Subtlety: The Text Consciousness and Narration of Contemporary Ink Art, Alioth Art

  Center, Shanghai

  Nonfigurative, Shanghai 21st Century Minsheng Art Museum, Shanghai

  Four-Dimension-Chen Qi & Liang Quan & Shen Qin & Zhu Jianzhong Joint Exhibition, Alioth Art Center, Shanghai

  Rest on Water and Gargle with Stone, Asia Art Center, Beijing

  SHUIMO: The Change Of Century and The New Road Of Art, Beijing Minsheng Contemporary Art Museum, Beijing

  The Inkstone: China Contemporary Ink Art Exhibition, The United States Confucius Institute, USA

  “The Ink Changing” The Study Of Contemporary Ink Collection Piece Four, Wuhan Art Museum, Wuhan

  2014 West Says East Says: Chinese Contemporary Art Research Exhibition, United Art Museum, Wuhan; Hamburger

  Kunsthalle, Hamburg

  Between Ink and Water: Contemporary Ink Paintings from China, Royal Academy of Art, London

  Neo · Moroism, Tokyo Gallery + Beijing Tokyo Art Projects, Beijing

  Re-Modernization: The 3rd Documentary Exhibition of Fine Arts, Hubei Art Museum, Wuhan

  Ink Direction· Abnormal: China Contemporary Ink Art Invitational Exhibition, Jiangsu Art Museum(the New Museum), Nanjing

  Empty Cold, Soka Art Center, Beijing

  Time Node: China· The Ink View in 1980, Shanghai Himalayas Museum, Shanghai

  Start All Over Again: The State of Contemporary Ink Art in China: The Opening Ceremony of Alioth Art Center, Alioth Art Center, Shanghai

  2013 The Dimension of Freedom: The Road of China Contemporary Ink Art to Basel, Miami Nina Torris Art

  Gallery, USA

  Ink Document, Art Museum of Nanjing University of Art, Nanjing

  Let It Be: Contemporary Ink Art Exhibition, MOCA Shijiazhuang, Shijiazhuang

  Oriental Beauty: Contemporary Ink Art Exhibition, Nanjing University of Art, Nanjing; Shanghai Duolun Museum Of Modern Art, Shanghai

  The Origin of Tao: New Dimensions in Chinese Contemporary Art, Hong Kong Museum of Art, Hong Kong

  “Fantasy” Group Exhibition, Shanghai Himalayas Museum, Shanghai

  New Ink Dimension: Critics’ Nomination Exhibition, National Art Museum of China, Beijing

  Re-ink: Invitational Exhibition of Contemporary Ink and Wash Painting, Hubei Museum of Art, Wuhan; Today Art Museum, Beijing

  Outside The Box, University of British Columbia Asia Center Infra-Mince, Yuan Art Museum, Beijing

  Ink · Change: China Contemporary Ink Art Exhibition, Guan Shanyue Art Museum, Shenzhen; Hamburger Kunsthalle, Hamburg

  2010 China Art From 2000 To 2009, CNCC, Beijing

  2009 Yi Pai-Century Thinking, Gao Minglu Contemporary Art Center, Beijing

  2005 No · It’s Okay, Nanjing Museum, Nanjing

  2003 Gave lecture at University of British Columbia

  2001 China: 20 Years of Ink Experiment , Guangdong Museum of Art · Guangzhou

  1994 Joint Exhibition of Abstract Paintings, Hanart TZ Gallery, Hong Kong

  1992 “Post-89” Contemporary Chinese Art Show, Hanart TZ Gallery , Hong Kong

  1990 China Modern Ink Art Exhibition , Japan

  1989 “89” China Modern Art Exhibition, National Art Museum of China , Beijing

  1987 The 2nd Station Art Exhibition, Nanjing

  1986 Red Road: The 1st Station Art Exhibition, Nanjing

  Jiangsu 10 Artists Invitational Exhibition, China Central Academy of Art, Beijing

  1985 Jiangsu Youth Art Week

  PUBLIC COLLECTIONS

  Shen Qin’s works have been placed in the collections of museums such as the Brooklyn Museum, the Hamburg Kunsthalle, Suzhou Museum, Wuhan Art Museum, and Guangdong Museum of Art。



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